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Torrent Flaming Lips Soft Bulletin

2020年11月7日

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The Official Video for Race for The Prize from on The Flaming Lips album ’The Soft Bulletin’. Listen here: Connect With The. The Flaming Lips’ particular and peculiar genius comes to full fruition on the stupendous The Soft Bulletin. Anyone who had the gumption to actually listen to Zaireeka, a song cycle that could only be heard by playing four CDs at the exact same time on different stereos, knows that head Lip Wayne Coyne and his Oklahoma City brethren had it in them. The Soft Bulletin is the ninth studio album by American rock band the Flaming Lips, released by Warner Bros. Records on May 17, 1999, in the United Kingdom, and on June 22, 1999, in the United States. May 24, 2016 Remix, Mastered By – Dave Fridmann (tracks: CD1 to CD13), The Flaming Lips (tracks: CD1 to CD13) Notes Entire album is included on the DVD in Advanced Resolution Surround Sound 5.1, Advanced Resolution Stereo, Dolby Digital Surround Sound 5.1 and Dolby Digital 2.0 Stereo, with Bleep-Blop Visualizations. The Soft Bulletin is considered by some to be partially responsible for establishing the latter-day identity of the Flaming Lips, and as its following expanded over the years after its release, paving the way to their being among the most well-respected groups of the 2000s.Printed by, and for the sole use of . All rights reserved © 2015 Vinous Media
Album Review of The Flaming Lips - American Head
BY NEAL MARTIN | SEPTEMBER 02, 2020

In the 17 years since I first blighted music criticism with a monthly musical recommendation, I have only ever received one new release in advance, namely The Pipettes debut in 2004. There I was, clutching my promo CD, convinced that it was only a matter of time before the NME or Rolling Stone fight it out over my penmanship. The phone never rang. The Pipettes never troubled the top of the charts and remain a lost post-millennial gem, though lead singer Gwenno subsequently enjoyed critical and commercial success as a solo artist. Anyway, this month’s recommendation, The Flaming Lips’ American Head, constitutes the second album that I am reviewing before general release. Alas, that is not because music cognoscenti have awoken to yours truly being a modern-day Lester Bangs or Tony Parsons, rather that someone at their record company dispatched my pre-ordered album by mistake.
I am kind of glad they did. It offers me more time to savour the finest Flaming Lips album since 2002’s epic Yoshimi Battles The Pink Robots that marked their height of popularity thanks to the best happy/sad song ever written, “Do You Realise?” If you loved that album, or indeed their masterpiece, The Soft Bulletin, then listen to their 16th album American Head because they are cut from a similar cloth. There is all the patchouli-scented psychedelia that one expects from a Flaming Lips record, draped over Wayne Coyne’s gorgeous melodies, so melancholy but somehow uplifting. Without doubt American Head includes some of the best tunes that he has written in a career that remarkably extends back to 1984. A cursory glance at the song titles: “Flowers On Neptune 6”, “When We Die When We’re High”, “You ‘n Me Selling Weed”, “At The Movies On Quaaludes” and most explicit of all, “Mother I’ve Taken LSD”...well, it is not difficult to spot the lyrical theme.
Yet the lyrics are much deeper than narcotic paeans. It dwells on the passing of time and the passing of lives, themes that run through much of Coynes’ work. He also ruminates what his country stands for in 2020, effectively portrayed in the promotional video as he wanders through a fiery wasteland wrapped in a Stars and Stripes flag like a soldier lost on a battlefield. To quote Coyne in June’s press release when the album was announced: “So for the first time in our musical life we began to think of ourselves as ‘AN AMERICAN BAND’… telling ourselves that it would be our identity for our next creative adventure. We had become a 7-piece ensemble and were beginning to feel more and more of a kinship with groups that have a lot of members in them. We started to think of classic American bands like The Grateful Dead and Parliament-Funkadelic and how maybe we could embrace this new vibe.”
Occasionally in the past, Coyne has taken the psychedelia too far for my ears, but on American Head, the strange sound effects and surrealism are kept in check, allowing the melodies to breathe and flourish. Another feature that elevates it above previous recent releases are the inspired collaborations with country star, Kacey Musgraves. It seems an odd combination on paper, but it turns out to be a sublime partnership, not least on the stunning ’God And The Policeman’ and sublime aptly-titled comedown, “When You Come Down”, that reminds me of Primal Scream’s “Shine Like The Stars”. How refreshing to see a country singer take themselves out of their comfort zone and immerse their talents in an alternative genre. It lends romanticism, a sense of humanism to the album, her strong vocals complementing Coyne’s who has never possessed the strongest voice and sometimes strains to hit the high notes. That is part of the appeal - much like Bernard Sumner who strained to sing in early New Order songs until he demanded that they change the key to suit his range.
I bought the double album on tri-colour vinyl in a holographic gatefold sleeve directly from record label Bella Union limited to 500 copies and signed by Coyne. It’s a stunning, high quality package. Most importantly, it is one of the best sounding pressings that I have heard in recent months.
Hats off to Wayne Coyne and his very able band. How many artists in the fourth decade of their career remain as enticingly outré and original, but as popular as ever, and produce some of their best music. Coyne still cuts a mystical, shamanic figure with his lion’s mane locks, greying with advancing years and yet he looks fantastic given how long he’s been around. It’s just a shame that COVID will deny us their legendary spectacular live shows. Fingers crossed for 2021. In any case, American Head will rank among the best albums of 2020.
Wine Recommendation
The woozy, dreamy soundscape of Wayne Coyne deserves a dreamy wine that may or may not make you woozy depending on how much you imbibe. I’m thinking a 2017 Syrah from Cedro do Noval by Quinta do Noval in the Douro will be just the ticket. No LSD necessary.
*2020
*2019
*2018
*News
*Page 1 | 2 NextThe Flaming Lips Share Video for New Song “Mother Please Don’t Be Sad”American Head Due Out September 11 via Warner Records
Aug 28, 2020By Christopher Roberts
The Flaming Lips are releasing a new album, American Head, on September 11 via Warner Records. Now they have shared another song from the album, “Mother Please Don’t Be Sad,” via a video for the track. In the song frontman Wayne Coyne sings from the perspective of a man who has been shot and killed in a robbery pleading with his mother not to be too upset about his death. “The ambulance attendants did all they can/And I almost pulled through/But in the end I won’t see you tonight/Mother please don’t be sad,” Coyne sings. “Mother Please Don’t Be Sad” is inspired by a real life incident in which a young Coyne was held up at gunpoint while at work. Musically, the song has a Soft Bulletin vibe. Coyne co-directed the video with regular collaborator George Salisbury and it was filmed in the studio in a socially distant manner. Watch it below.
Longtime collaborator Dave Fridmann co-produced American Head with the band. The album includes “Flowers of Neptune 6,” a new song the band shared in May via a video for the track. The song featured Kacey Musgraves on additional vocals and was #1 on our Songs of the Week list. Musgraves also features on another American Head song, “God and the Policeman.”
When the album was announced in June, the band shared its second single, “My Religion Is You,” via a video for the song. Then they shared another song from the album, “Dinosaurs on the Mountain,” also via a video for the track. Then they shared a fourth song from the album, “You n Me Sellin’ Weed,” also via a video for the track. Then they shared another song from the album, “Will You Return / When You Come Down,” via a video for the track, which was also one of our Songs of the Week.
In June, The Flaming Lips performed for The Late Show with Stephen Colbert, with the entire band in separate plastic bubbles and also their audience, including some kids, in bubbles. And to make it even more timely, they did “Race for the Prize,” a classic from 1999’s The Soft Bulletin about two scientists racing to find a cure.
September 11 will see the album released digitally, on CD, and on black vinyl. A special limited edition double LP colored vinyl (one pink, one blue) will be released on October 2.
Frontman Wayne Coyne had this to say about the album in a press release (it’s an excerpt from a longer essay entitled “We’re An American Band”):
“The Flaming Lips are from Oklahoma. We never thought of ourselves as an AMERICAN band. I know growing up (when I was like 6 or 7 years old) in Oklahoma I was never influenced by, or was very aware of any musicians from Oklahoma. We mostly listened to the Beatles and my mother loved Tom Jones (this is in the ’60s)... it wasn’t till I was about 10 or 11 that my older brothers would know a few of the local musician dudes.
“So... for most of our musical life (as The Flaming Lips starting in 1983) we’ve kind of thought of ourselves as coming from ‘Earth’... not really caring WHERE we were actually from. So for the first time in our musical life we began to think of ourselves as ‘AN AMERICAN BAND’… telling ourselves that it would be our identity for our next creative adventure. We had become a 7-piece ensemble and were beginning to feel more and more of a kinship with groups that have a lot of members in them. We started to think of classic American bands like The Grateful Dead and Parliament-Funkadelic and how maybe we could embrace this new vibe.
“The music and songs that make up the American Head album are based in a feeling. A feeling that, I think, can only be expressed through music and songs. We were, while creating it, trying to NOT hear it as sounds... but to feel it. Mother’s sacrifice, Father’s intensity, Brother’s insanity, Sister’s rebellion...I can’t quite put it into words.
“Something switches and others (your brothers and sisters and mother and father...your pets) start to become more important to you…in the beginning there is only you... and your desires are all that you can care about...but... something switches.. I think all of these songs are about this little switch.”
In November 2019 The Flaming Lips released a new live album, The Soft Bulletin Recorded Live at Red Rocks with The Colorado Symphony Orchestra, via Warner Records. As its title suggests, the album featured a live concert of them recording their acclaimed 1999 album in its entirety with The Colorado Symphony Orchestra (and conductor André de Ridder) at Red Rocks Amphitheatre, near Denver, Colorado.
The Flaming Lips also teamed up with Los Angeles garage rock duo Deap Vally to form the collaborative band appropriately named Deap Lips. They released their debut album together, also titled Deap Lips, in March via Cooking Vinyl.
Read our exclusive interview with Wayne Coyne on his all-time favorite album, from our My Favorite Album Issue.
The Flaming Lips released another new album, King’s Mouth: Music and Songs, back in April 2019 for Record Store Day (followed by a wider release in July 2019). King’s Mouth features spoken word vocals by Mick Jones of The Clash.
Read our interview with The Flaming Lips’ Wayne Coyne on King’s Mouth.
Also read our 2017 cover story interview with The Flaming Lips on Oczy Mlody from our 15th Anniversary Issue.The Flaming Lips Soft BulletinFlaming Lips SongsCurrent IssueIssue #67Flaming Lips Soft Bulletin Vinyl
Sep 04, 2020Issue #67 - Phoebe Bridgers and Moses SumneyTorrent Flaming Lips Soft Bulletin Full Album YoutubeMost Recent
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Torrent Flaming Lips Soft Bulletin

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